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  • View Larger Image Alex Loutsion Headshot

Alexandra Loutsion

Hailed as “fearless” (Opera News) and “masterful” (Tulsa World) with a “powerful…and gorgeous voice” (MinnPost), Alexandra Loutsion continues to be recognized for her passionate performances and vocal versatility as a rising star on the operatic stage. In the 2021-2022 season, she makes her debut with Pittsburgh Festival Opera kicking off their solo recital series Legends in the Limelight: Pittsburgh Festival Opera Live at Carnegie Music Hall, returns to Lyric Opera of Chicago covering Sondra Radvanovsky as Lady Macbeth in their new production of Verdi’s Macbeth, and debuts with Austin Opera singing Leonore in Fidelio: A Celebratory Gala Production. She makes her Dallas Opera debut singing excerpts from Macbeth and Aida in their Opera’s Greatest Hits! concert, and debuts in the title role of Salome at the Fisher Center at Bard College. Alexandra returns to the University of Southern California (her alma mater) for a short coaching residency and joins the USC Symphony to sing Strauss’ Four Last Songs (Postponed due to COVID-19). She closes the season in her company and role debut with the Glimmerglass Festival singing Mother Abbess in Rogers & Hammerstein’s “The Sound of Music. Ms. Loutsion’s 2020-2021 season included a surprise debut with Lyric Opera of Chicago when she went on as Brünnhilde in Yuval Sharon’s Twilight: Gods, a reinterpretation of Wagner’s Götterdämmerung. She also made her debut with Chicago Opera Theater singing the leading role of Kayla in Kamala Sankaram’s Taking Up Serpents, and created an online recital series entitled Real Opera Wives of Chicago with mezzo-soprano Annie Rosen presented by New York’s Opera on Tap.

Puccini has become a staple of Ms. Loutsion’s repertoire. In addition to singing Turandot with Pittsburgh Opera, Tulsa Opera, and New Orleans Opera , she has also brought her Tosca to Palm Beach Opera, Wolf Trap Opera, the Sacramento Philharmonic & Opera, Fort Wayne Philharmonic,  and Central City Opera, and her Cio-Cio San/Madama Butterfly to Palm Beach Opera, Wolf Trap Opera, and Opera on the James. Other role highlights include the Foreign Princess/Rusalka with Arizona Opera, Florencia/Florencia en el Amazonas with Arizona Opera, Donna Anna/Don Giovanni with North Carolina Opera, Lady Macbeth/Macbeth with Raylynmor Opera, Gertrude/Hansel and Gretel with Dayton Opera, and the leading role of Isabella in Wagner’s Das Liebesverbot as part of the Ring Festival LA. She also covered the Lady-in-Waiting in Verdi’s Macbeth with the Chicago Symphony Orchestra under Riccardo Muti.

Ms. Loutsion spent two summers as an Apprentice Artist with the Santa Fe Opera, most recently to cover Leonore/Fidelio. She also covered Tosca and the leading role of Anna in Rossini’s Maometto II. Ms. Loutsion also spent two seasons as a Resident Artist with Pittsburgh Opera where she was seen as Armida/Rinaldo and Gertrude and the Witch/Hänsel und Gretel, among others. As an Apprentice Artist with Central City Opera, she was heard as Cio-Cio San/Madama Butterfly and as Melissa in Handel’s Amadigi di Gaula.

Ms. Loutsion recently represented the United States as a quarterfinalist in the Francisco Viñas International Singing Contest in Barcelona, Spain. She was a winner of the Metropolitan National Council District Auditions and the Long Beach Mozart Competition, as well as a finalist in the Fritz and Lavinia Jensen Foundation Competition, McCammon Voice Competition, and Dallas Opera Competition. She is the recipient of the Catherine Filene Shouse Education Fund Career Grant from Wolf Trap Opera, Santa Fe Opera’s Donald Gramm Memorial Award and Anna Case MacKay Award, the Shoshana Foundation Richard F. Gold Career Grant, the Central City Opera John Moriarty Award, and the Aspen Music Festival New Horizon Fellowship. She holds a Master of Music in Vocal Arts from the University of Southern California and a Bachelor of Music in Vocal Performance from Ithaca College. Ms. Loutsion was also recently awarded a place in the Greek America Foundation’s “Forty under 40” Class of 2018, which celebrates the professional excellence and philanthropic endeavors of North Americans of Greek descent

By Tim Accurso|2023-05-11T09:39:54-08:00July 28, 2022|Comments Off on Alexandra Loutsion

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About the Author: Tim Accurso

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