Stage Director Alison Moritz’s recent productions have been lauded as “about as gorgeous and accessible as any opera anywhere” (The Commercial Appeal), and her work has been praised for its “incredible economy of resources, lean production design, and eye for jest and banter” by The Orlando Examiner.
A “rising young star on the contemporary American opera scene” (89.5 Tulsa), Ms. Moritz’s diverse projects for 2017-2018 include the world premiere of Missy Mazzoli and Royce Vavrek’s newest opera Proving Up (Washington National Opera, AOI), as well as new productions of Orpheus in the Underworld (New Orleans Opera), Die Entführung aus dem Serail (Madison Opera), Trouble in Tahiti (Opera Santa Barbara), and a genre-bending triple bill of rarities for Bard Conservatory (Pulcinella, Full Moon in March, and Svadba). This season, Ms. Moritz also directs a new staging of Madama Butterfly (Syracuse Opera), collaborates with IlluminArts to profile artist Ana Mendieta, joins the Santa Fe Opera directing staff, and continues ongoing collaborations with the Resonant Bodies Festival and The Knights.
Alison’s exciting 2016-2017 season included several innovative productions of American operas: The Manchurian Candidate (Austin Opera), Candide (Orlando Philharmonic), The Tender Land (Crane School of Music), Our Town (Townsend Opera, Fresno Grand Opera), Hydrogen Jukebox (Tri-Cities Opera), Cabildo, and Gallantry (Central City Opera). Recently, the Austin Chronicle named Alison’s production of The Manchurian Candidate the #1 Classical Music/Dance event of 2016, and the production received seven Austin Critic’s Award Nominations and four wins (including “Best Opera Production”).
Previously, Alison served as the Resident Assistant Director at both the Minnesota Opera and The Atlanta Opera. Her professional credits include engagements with Seattle Opera, Opera Theatre of St. Louis, Wolf Trap Opera, Central City Opera, Opera Memphis, and Chautauqua Opera. As a teacher and guest director, Alison has taught at Eastman School of Music, Maryland Opera Studio, Crane School of Music, and for Steven Blier and Caramoor’s Vocal Rising Stars program.
Alison continues both her acting training and administrative interests and has worked and trained with companies such as the SITI Company of New York City, OPERA America, Geva Theatre Center, Third Rail Projects, Nautilus Music Theater, and Shakespeare Festival St. Louis. She holds a B.A. in Music and Art History from Washington University in St. Louis and an M.M. from Eastman School of Music, and was the recipient of the 2015-2016 recipient of the SDCF/Kurt Weill Foundation Fellowship. Alison is based in New York City and St. Louis, Missouri.