April 2016 (debut)
April 2016
March 2004 (debut)
November 2017
April 2017
April 2016 (debut)
April 2016
March 2016 (debut)
Heather Sterling is an accomplished makeup artist and hair stylist with a wide range of experience that includes work in theater, film, print, and fashion. She is a licensed cosmetologist and has a degree in fine art with an emphasis in psychology. Armed with an extensive knowledge of period makeup and hairstyles, Heather first designed for Opera Santa Barbara in 2006 for the company's performances of Tosca; since then her work has been seen in nearly forty OSB productions. She regularly designs for the Music Academy of the West's summer operas and she recently designed for the Granada Theatre's A Christmas Carol.
February 2006 (debut)
April 2016 (debut)
Hailed for her “deliciously over the top” and “powerful mezzo” by Opera News, Alissa Anderson wields her comic prowess, striking features, and her “powerful vocalism” to great acclaim. Ms. Anderson achieved a considerable success and was celebrated for being “impeccably prepared” and “splendid in every way” when she stepped in as Florence Pike in Santa Fe Opera’s Albert Herring under the baton of Sir Andrew Davis. In the 2019/2020 season, Ms. Anderson will make her company and role debuts with Opera Philadelphia as Princess Clarissa in Prokofiev’s The Love of Three Oranges as well as both her role and European debuts as Mrs. Lovett in Sweeney Todd with The Royal Danish Opera in Copenhagen. In the spring she returns to Opera Birmingham to sing the role of Madame de la Haltière in Massenet’s Cendrillion. The 2017-2018 season featured her debut with Opera Birmingham and Opera Louisiana in the title role of La tragédie de Carmen, her debut with Opera Delaware as Frugola/La Zia Principessa in Il trittico, and her debut with Utah Festival Opera as The Witch in Into the Woods. The 2018-2019 season includes Ms. Anderson’s return to San Diego Opera as Maddalena in Rigoletto, her debut with Opera San Antonio as Marthe in Faust, Marcellina in Le nozze di Figaro and Ms. Andrew/The Bird Woman in Mary Poppins in a return to Utah Festival Opera, and the starring role in the world premiere of the opera Debussy & Ravel: The Flowers of Evil with Mercury Chamber Orchestra at the Wortham Center in Houston, TX.
The 2016-2017 season saw her debut with San Diego Opera as Tisbe in La Cenerentola, a New Year’s Eve gala concert with Opera Southwest, Marcellina in Le nozze di Figaro with North Carolina Opera, Verdi’s Requiem with the Houston Camerata, and La Zia Principessa/Ciesca in Il trittico with the Opera Company of Middlebury. Other recent performances for Ms. Anderson include La Zia Principessa/Zita in Suor Angelica/Gianni Schicchi with Opera Santa Barbara, Cleo in The Most Happy Fella with Tulsa Opera, Mother Goose in The Rake’s Progress with Utah Opera, and her debut with Houston Grand Opera’s East + West series in River of Light by composer Jack Perla and librettist Chitra Divakaruni. In addition, she made, her “comically perfect” debut as Mistress Quickly in Falstaff with Opera in the Heights, Lampito in Lysistrata with Fort Worth Opera, Marcellina in Le nozze di Figaro with Opera Santa Barbara, Emilia in Otello and Zulma in L’italiana in Algeri with Opera Southwest, Madame de la Haltiere in Cendrillion and the Mother in Hansel and Gretel with the Santa Fe Concert Association, Maddalena in Rigoletto with Opera in the Heights, and her return to Santa Fe Opera where she sang the Society Woman in The Last Savage. Recent concert engagements have included John Adams’ Grand Pianola Music with the Dallas Symphony Orchestra, Haydn’s Lord Nelson Mass with Concordia University Symphony Orchestra, her European concert debut as mezzo soloist in Verdi’s Requiem with performances throughout Germany and France and her Lincoln Center debut as the mezzo soloist in Mahler’s 2nd Symphony.
At Sarasota Opera, Ms. Anderson performed the roles of Dritte Dame in Die Zauberflöte, Sandman in Hansel and Gretel, and Flora in La Traviata. As a resident and principal artist with Fort Worth Opera she performed the roles of Tisbe in La Cenerentola, Mother in Amahl and the Night Visitors, Alisa in Lucia di Lammermoor, and the Angel Trio in Angels in America. Scott Cantrell of the Dallas Morning News praised her 2010 performance of Verdi’s Requiem with the University of North Texas Symphony Orchestra stating, “Mezzo Alissa Anderson supplied aptly rich tones and an awesome chest voice.”
Other notable engagements include her Tisbe in La Cenerentola and Ruth in The Pirates of Penzance with Opera New Jersey, Flora in La Traviata and Mercedes in Carmen with Pensacola Opera, and Flora in La Traviata with Nevada Opera. As a young artist, she performed with the Santa Fe Opera, Des Moines Metro Opera, and Ashlawn-Highland Opera, as well as spending three consecutive summers at the Seagle Music Colony where she sang the title role in Carmen, Anita in West Side Story, Hippolyta in A Midsummer Night’s Dream, Alma March in Little Women, Woman in Marry Me A Little, and Hedy La Rue in How to Succeed in Business Without Really Trying.
Ms. Anderson holds her Master of Music in Opera Performance from The University of Maryland and her Bachelor of Music in Vocal Performance from the University of North Texas.
April 2016
April 2016
March 2012
March 2011 (debut)
2011
April 2016 (debut)
April 2016 (debut)
Mezzo-soprano Nandani Maria Sinha is an acclaimed performer of German and Indian descent. Born in the United States, Nandani began her formal training in in Germany before returning to the US, where she earned degrees from Cornell University and California State University at Los Angeles. Nandani began the 2017 - 18 season with the Los Angeles Opera Chorus in Beth Morrison Project's production of The Hubble Cantata by Paola Prestini. For Music at Westwood this season, she serves as the Alto Soloist in the Bach Magnificat, Handel's Messiah, and Dvorak's Mass in D. She also sang the Old Lady in Candide for LA Opera's series for educators and was a featured ensemble member for their production of Jack Perla’s Jonah and the Whale. She finishes the season with concert performances of Dvorak’s Stabat Mater with Palisades Symphony Orchestra and Beethoven's Ninth Symphony and Bernstein selections with the California Philharmonic. She will also be seen as the Wardrobe in 5 Star Theatricals’ production of Beauty and the Beast, which also stars members of the original Broadway cast. Nandani made her debut with Opera Santa Barbara as La maestra della novizie in Suor Angelica, and returned for recent productions of The Cunning Little Vixen and La Rondine. Other recent highlights include the title role in La Cenerentola (Repertory Opera Company), Amneris in Aida (Marina Del Rey Symphony), The Mother in Amahl and the Night Visitors (Malibu Coast Chamber Opera), Mrs. Ott in Susannah (Opera Pasadena), and Rosina in Il Barbiere di Siviglia and Prince Orlofsky in Die Fledermaus with Repertory Opera Company. Ms. Sinha has also been a frequent soloist at St. Patrick’s Cathedral in New York City, the Franz Liszt Chamber Orchestra, and a recitalist in London, France, Austria and Germany. Additionally, she has presented recitals throughout South Africa for the No.1 Ladies’ Opera Festival. A great proponent of new music, Nandani has sung in the world premieres of multiple compositions by Annenberg Foundation Composition Fellow Maria Newman. Recently, she premiered the role of Lily and Our Lady in the musical Golden with music written by Grammy Award Winner Nathan Wang for the Paderewski Cycle Competition. Ms. Sinha was the first-prize winner in the 2012 Franz Liszt International Competition, and in 2014 she earned two additional International Prizes from the same organization, including a special award for “Best Vocal Interpretation of a Work by Franz Liszt.” Nandani was a winner of the Hollywood Opera Reading Club Vocal Scholarship Competition and has been a recipient of scholarships from the Opera Buffs and Celestial Opera. In 2013 and 2014, she was a Marc and Eva Stern Fellow at Songfest, where she worked closely with William Bolcom, John Musto, Jake Heggie, Libby Larsen, Susanne Mentzer, Margo Garrett, and Martin Katz.
April 2016
April 2016
September 2009
March 2009
October 2008
October 2007
March 2005
May 1999 (debut)
April 2016
March 2015 (debut)
April 2016 (debut)
April 2016 (debut)
Hailed for her “deliciously over the top” and “powerful mezzo” by Opera News, Alissa Anderson wields her comic prowess, striking features, and her “powerful vocalism” to great acclaim. Ms. Anderson achieved a considerable success and was celebrated for being “impeccably prepared” and “splendid in every way” when she stepped in as Florence Pike in Santa Fe Opera’s Albert Herring under the baton of Sir Andrew Davis. In the 2019/2020 season, Ms. Anderson will make her company and role debuts with Opera Philadelphia as Princess Clarissa in Prokofiev’s The Love of Three Oranges as well as both her role and European debuts as Mrs. Lovett in Sweeney Todd with The Royal Danish Opera in Copenhagen. In the spring she returns to Opera Birmingham to sing the role of Madame de la Haltière in Massenet’s Cendrillion. The 2017-2018 season featured her debut with Opera Birmingham and Opera Louisiana in the title role of La tragédie de Carmen, her debut with Opera Delaware as Frugola/La Zia Principessa in Il trittico, and her debut with Utah Festival Opera as The Witch in Into the Woods. The 2018-2019 season includes Ms. Anderson’s return to San Diego Opera as Maddalena in Rigoletto, her debut with Opera San Antonio as Marthe in Faust, Marcellina in Le nozze di Figaro and Ms. Andrew/The Bird Woman in Mary Poppins in a return to Utah Festival Opera, and the starring role in the world premiere of the opera Debussy & Ravel: The Flowers of Evil with Mercury Chamber Orchestra at the Wortham Center in Houston, TX.
The 2016-2017 season saw her debut with San Diego Opera as Tisbe in La Cenerentola, a New Year’s Eve gala concert with Opera Southwest, Marcellina in Le nozze di Figaro with North Carolina Opera, Verdi’s Requiem with the Houston Camerata, and La Zia Principessa/Ciesca in Il trittico with the Opera Company of Middlebury. Other recent performances for Ms. Anderson include La Zia Principessa/Zita in Suor Angelica/Gianni Schicchi with Opera Santa Barbara, Cleo in The Most Happy Fella with Tulsa Opera, Mother Goose in The Rake’s Progress with Utah Opera, and her debut with Houston Grand Opera’s East + West series in River of Light by composer Jack Perla and librettist Chitra Divakaruni. In addition, she made, her “comically perfect” debut as Mistress Quickly in Falstaff with Opera in the Heights, Lampito in Lysistrata with Fort Worth Opera, Marcellina in Le nozze di Figaro with Opera Santa Barbara, Emilia in Otello and Zulma in L’italiana in Algeri with Opera Southwest, Madame de la Haltiere in Cendrillion and the Mother in Hansel and Gretel with the Santa Fe Concert Association, Maddalena in Rigoletto with Opera in the Heights, and her return to Santa Fe Opera where she sang the Society Woman in The Last Savage. Recent concert engagements have included John Adams’ Grand Pianola Music with the Dallas Symphony Orchestra, Haydn’s Lord Nelson Mass with Concordia University Symphony Orchestra, her European concert debut as mezzo soloist in Verdi’s Requiem with performances throughout Germany and France and her Lincoln Center debut as the mezzo soloist in Mahler’s 2nd Symphony.
At Sarasota Opera, Ms. Anderson performed the roles of Dritte Dame in Die Zauberflöte, Sandman in Hansel and Gretel, and Flora in La Traviata. As a resident and principal artist with Fort Worth Opera she performed the roles of Tisbe in La Cenerentola, Mother in Amahl and the Night Visitors, Alisa in Lucia di Lammermoor, and the Angel Trio in Angels in America. Scott Cantrell of the Dallas Morning News praised her 2010 performance of Verdi’s Requiem with the University of North Texas Symphony Orchestra stating, “Mezzo Alissa Anderson supplied aptly rich tones and an awesome chest voice.”
Other notable engagements include her Tisbe in La Cenerentola and Ruth in The Pirates of Penzance with Opera New Jersey, Flora in La Traviata and Mercedes in Carmen with Pensacola Opera, and Flora in La Traviata with Nevada Opera. As a young artist, she performed with the Santa Fe Opera, Des Moines Metro Opera, and Ashlawn-Highland Opera, as well as spending three consecutive summers at the Seagle Music Colony where she sang the title role in Carmen, Anita in West Side Story, Hippolyta in A Midsummer Night’s Dream, Alma March in Little Women, Woman in Marry Me A Little, and Hedy La Rue in How to Succeed in Business Without Really Trying.
Ms. Anderson holds her Master of Music in Opera Performance from The University of Maryland and her Bachelor of Music in Vocal Performance from the University of North Texas.
April 2016
April 2016
March 2012
March 2011 (debut)
2011
April 2016 (debut)
2015-2016
April 2016
April 2016
September 2009
March 2009
October 2008
October 2007
March 2005
May 1999 (debut)
Bass-Baritone, E. Scott Levin is a gifted comic actor praised for his “smooth, buttery voice.” He has been making audiences laugh for the past fifteen years with his “incredibly sharp timing” in roles including Bartolo in The Marriage of Figaro, Schaunard in La bohème, and Falke in Die Fledermaus. Scott made his debut Opera Santa Barbara debut as Simone in Gianni Schicchi (2016) and returned as The Priest/Badger in The Cunning Little Vixen (2017). In 2015, he made debuts at Townsend/Fresno Opera as the Sacristan in Tosca, Los Angeles Opera “Off-Grand” as Babayan (Bartolo) in Figaro 90210!, and on the LA Opera mainstage as Dr. Spinelloccio in Gianni Schicchi, starring Placido Domingo. Since 2002, Scott has sung in over twenty productions with Union Avenue Opera in Saint Louis and many productions with Pacific Opera Project in Los Angeles. He has also sung with many other companies in the Los Angeles area including Long Beach Opera, Redlands Opera Theater, Center Stage Opera, OperaWorks, Orange County Opera, and Celestial Opera. He earned his Bachelor of Arts degree from Washington University in St. Louis and Graduate Certificate in Vocal Performance from the University of Southern California Thornton School of Music.
November 2017
April 2017
March 2017
November 2016
April 2016 (debut)
2015–2016, 2016–2017
November 2016
April 2016 (debut)
April 2016 (debut)
2015–2016