Dr. Miracle

By Georges Bizet

Presented by the Chrisman Studio Artists

Featuring Opera SB’s Chrisman Studio Artists, this zany romance whisks together the best elements of The Elixir of Love and The Barber of Seville. Pacific Opera Project’s Josh Shaw directs. Certain to delight audiences of all ages!

March 22-24 5pm reception / 6pm performance

Center Stage Theater

Ticket includes a pre-performance reception with small bites and wine. 

Direction

Josh Shaw

One of Musical America’s Top 30 Innovators in Classical Music in 2016, Josh Shaw is the Executive and Artistic Director of Pacific Opera Project (POP), a Los Angeles based company dedicated to presenting accessible, affordable, and ENTERTAINING opera.  Over the past nine seasons, he has directed over 30 productions at POP including The Rake’s Progress, Ariadne auf Naxos, La calisto, Tosca: A Moving Production, and La boheme: AKA “The Hipsters”. Mr. Shaw’s reimagining of Die Entführung aus dem Serail as an episode of Star Trek has gained national attention and has been produced by eight companies selling out houses with record-breaking numbers. Since turning his attention to directing in 2011, he has directed over 70 productions at companies including New Orleans Opera, Intermountain Opera, The Southern Illinois Music Festival, Opera Neo, Alamo City Opera, Queen City Opera, Opera Orlando, and Salt Marsh Opera. He directed Il barbiere di Siviglia at Opera Santa Barbara last season. Other recent projects include productions of Don Giovanni, La gazzetta(Rossini), La traviata, Guillaume TellCarmen, and Tabasco: A Burlesque Opera, a newly rediscovered operetta by G. W. Chadwick, last performed in 1894. Mr. Shaw also wrote a new book and additional lyrics for the project that celebrated the McIlhenney Company’s 150thanniversary. In addition to the rewrite of Tabasco and the new book and lyrics for Abduction from the Seraglio, Mr. Shaw has written several English version librettos for operas including a Wild West setting of Die Lustige Witwe, a contemporary setting of Die Schauspieldirektor, and most recently a hit production of Die Zauberflüteset in the world of 1980s video games.  Next month he directs a groundbreaking production of Madama Butterflysung in Japanese and English, a co-production of POP and Opera in Heights (Houston). Other upcoming projects include Il trovatoreat The Southern Illinois Music Festival, Gianni Schicchiat Opera Columbus, and I pagiliacciat Salt Marsh Opera. More details at joshshaw.org.

 

Stage Director / The Barber of Seville

March 2018 (debut)

Tim Accurso

Timothy Accurso joined the Opera Santa Barbara team in September 2018. Tim has been on music staff with Palm Beach Opera, Opera Saratoga, and the Seagle Music Colony. Originally from Glen Lyon, Pennsylvania, he completed his undergraduate studies at Susquehanna University in vocal and piano performance. To further his studies in opera, Tim received a Masters of Music in vocal coaching and accompanying from the University of Illinois at Urbana-Champaign, where he studied with Dr. Julie Jordan Gunn. Following his studies, Tim became a resident artist with Utah Opera as well as a young artist with Opera Saratoga, where he now spends his summers on staff. Tim spends his time coaching the Chrisman Studio artists, engaging in the education initiatives of Opera Santa Barbara, playing mainstage rehearsals, and performing throughout the community in recitals and events with the company.

Artists

Jennifer Lindsay

Soprano Jennifer Lindsay has been lauded for her “clever comic ability” and “vocal athleticism” (Naples Daily News). Jennifer joins the Chrisman Studio Artist Program for Opera Santa Barbara 2018/19 season, covering Tatiana in Eugene Onegin and both Mimì and Musetta in La bohème, and singing Mary Warren in The Crucible. Prior to joining Opera Santa Barbara, she will make her role debut as Mimi in La bohème with Opera Connecticut. Jennifer recently made her role debut as Leonora in Il Trovatore with Pacific Lyric Association alongside Metropolitan Opera tenor Luis Lima. Jennifer is an alumna of the apprentice programs at Opera Southwest, Opera Naples, and the Caramoor Music Festival. Other career highlights include Violetta in La Traviata with Pacific Lyric Association and Lucha in the world premiere of HOPSCOTCH (The Industry). She has also appeared with the LA Philharmonic in conjunction with Beth Morrison Projects singing excerpts from John Adams’ I Was Looking At The Ceiling And Then I Saw The Sky, conducted by the composer. Jennifer is also an accomplished orchestral violinist. Last season, she unexpectedly became a viral sensation on social media when she stepped out of the 2nd violin section at the last minute to replace the ailing lead soprano during a dress rehearsal of Aida with the Marina Del Rey Symphony. Jennifer holds degrees from Harvey Mudd College (BS/Mathematics), Columbia University (MS/Operations Research), and Johns Hopkins University (MS/Computer Science) and worked as a software developer for the U.S. Department of Defense before pursuing a career in music. She currently resides in Los Angeles.

2018-19 Chrisman Studio Artist

Ashley Kay Armstrong

Mezzo-soprano Ashley Kay Armstrong makes her Opera Santa Barbara debut as Olga in Eugene Onegin as a member of the Chrisman Studio Artist program. This past season she was a Cedar Rapids Opera Theatre Young Artist, and sang Meg Brockie in Brigadoon and Lady in Waiting in Turandot. She was also an Apprentice Artist with Sarasota Opera and sang Kylie K in the world premiere of Cosmic Ray and the Amazing Chris with Thompson Street Opera. Other highlights in her young career include the title role in Lucrezia and Isabelle Eberhardt (cover) in Song from the Uproar with Chicago Fringe Opera. She also appeared as the alto soloist in Beethoven's 9th Symphony with the Chicago Sinfonietta. She attended the Chicago College of Performing Arts, where her roles included Ottavia in Monteverdi’s L'incoronazione di Poppea, Suzette in Bluebeard's Waiting Room, The Wife in The Women, and Spectre/Alto Soloist in The Nightingale.

www.ashleyarmstrongmezzo.com

2018-19 Chrisman Studio Artist

Yazid Gray

Baritone Yazid Gray is originally from Gaithersburg, Maryland. He is a recent graduate of University of Michigan where he received his Master’s in Vocal Performance under the tutelage of Stephen Lusmann. While at Michigan, Yazid performed several roles within their main stage opera seasons. These include Mercutio (Roméo et Juliette), Demetrius (A Midsummer Night’s Dream), and Oliver Jordan in the Michigan premiere of William Bolcom’s newest opera, Dinner at Eight. In the summer of 2018, Yazid joins the Studio Artist Program at Opera Maine where he will sing the role of Charlie in Jake Heggie’s Three Decembers. Other operatic roles include Silvio (Pagliacci) and Sid (Albert Herring) with Opera in the Ozarks, Undertaker and Frazier (Porgy and Bess) with the University Musical Society in Ann Arbor, MI. He is an alumnus of DePauw University where he studied with Caroline Smith. During his time at DePauw, Yazid sang roles such as Frank (Die Fledermaus), Nardo (La Finta Giardiniera), Ottone (L’incoronazione di Poppea), John Brooke (Little Women), as well as a wide range of operatic and musical theater scenes. He has worked with well-known composers, which include Mark Adamo, John Corigliano, Roberto Sierra, Adam Guettel, and Gabriela Frank. Outside of opera, Yazid has performed roles in several musicals such as Jim Conley (Parade) and Hunter Bell ([title of show]), both with DePauw University, Al (The Most Happy Fella) and Ivor (Babes in Arms) with the College Light Opera Company in Cape Cod, Massachusetts.

2018-19 Chrisman Studio Artist

Michael Kollmorgen

Michael Kollmorgen, tenor, is a native of Tulsa, Oklahoma. He joins Opera Santa Barbara's Chrisman Studio Artist Program for the 2018-19 Season. Michael has been performing since he was seven years old as a member of the The Tulsa Boy Singers. He attended Oklahoma State University, where his roles included Nemorino in L'elisir d'amore, Basilio and Don Curzio in Le Nozze di Figaro, Kaspar in Amahl and the Night Visitors, and Matt/Larry in Face on the Barroom Floor. Michael was also cast as the Duke in Rigoletto and Rodolfo in La Bohème in OSU Opera's production of Love, Lust, & Death: Four Tragic Acts of Love. Michael has also performed in the  Chorus. and he was recently featured as a tenor soloist in Handel's Messiah. Michael attended the University of Houston for his graduate studies, where he performed Ferrando in Così fan tutte, Levin in Anna Karenina, Judge Danforth in The Crucible, Tancredi in The Inspector, and Roméo in Roméo et Juliette. Michael graduated with his Master of Music degree in Vocal Performance this past May. Michael has won first place in both the Junior and Senior Men's Division at the Oklahoma National Teachers of Singing competition and was a recipient of the Vocal Music Scholarship at OSU and the Winifred and Maurice Hirsch Memorial Scholarship at UH. Michael currently resides in Houston, Texas, where he teaches Voice and Music Appreciation as an Adjunct Teacher at Lonestar Community College Tomball. He is a student of Joseph Evans.

2018-19 Chrisman Studio Artist

Tickets

Single Tickets: $25

Location

Cast & Credits

Direction
Stage Director:

Josh Shaw

One of Musical America’s Top 30 Innovators in Classical Music in 2016, Josh Shaw is the Executive and Artistic Director of Pacific Opera Project (POP), a Los Angeles based company dedicated to presenting accessible, affordable, and ENTERTAINING opera.  Over the past nine seasons, he has directed over 30 productions at POP including The Rake’s Progress, Ariadne auf Naxos, La calisto, Tosca: A Moving Production, and La boheme: AKA “The Hipsters”. Mr. Shaw’s reimagining of Die Entführung aus dem Serail as an episode of Star Trek has gained national attention and has been produced by eight companies selling out houses with record-breaking numbers. Since turning his attention to directing in 2011, he has directed over 70 productions at companies including New Orleans Opera, Intermountain Opera, The Southern Illinois Music Festival, Opera Neo, Alamo City Opera, Queen City Opera, Opera Orlando, and Salt Marsh Opera. He directed Il barbiere di Siviglia at Opera Santa Barbara last season. Other recent projects include productions of Don Giovanni, La gazzetta(Rossini), La traviata, Guillaume TellCarmen, and Tabasco: A Burlesque Opera, a newly rediscovered operetta by G. W. Chadwick, last performed in 1894. Mr. Shaw also wrote a new book and additional lyrics for the project that celebrated the McIlhenney Company’s 150thanniversary. In addition to the rewrite of Tabasco and the new book and lyrics for Abduction from the Seraglio, Mr. Shaw has written several English version librettos for operas including a Wild West setting of Die Lustige Witwe, a contemporary setting of Die Schauspieldirektor, and most recently a hit production of Die Zauberflüteset in the world of 1980s video games.  Next month he directs a groundbreaking production of Madama Butterflysung in Japanese and English, a co-production of POP and Opera in Heights (Houston). Other upcoming projects include Il trovatoreat The Southern Illinois Music Festival, Gianni Schicchiat Opera Columbus, and I pagiliacciat Salt Marsh Opera. More details at joshshaw.org.

 

Stage Director / The Barber of Seville

March 2018 (debut)

Musical Direction:

Tim Accurso

Timothy Accurso joined the Opera Santa Barbara team in September 2018. Tim has been on music staff with Palm Beach Opera, Opera Saratoga, and the Seagle Music Colony. Originally from Glen Lyon, Pennsylvania, he completed his undergraduate studies at Susquehanna University in vocal and piano performance. To further his studies in opera, Tim received a Masters of Music in vocal coaching and accompanying from the University of Illinois at Urbana-Champaign, where he studied with Dr. Julie Jordan Gunn. Following his studies, Tim became a resident artist with Utah Opera as well as a young artist with Opera Saratoga, where he now spends his summers on staff. Tim spends his time coaching the Chrisman Studio artists, engaging in the education initiatives of Opera Santa Barbara, playing mainstage rehearsals, and performing throughout the community in recitals and events with the company.

Artists
Loretta:

Jennifer Lindsay

Soprano Jennifer Lindsay has been lauded for her “clever comic ability” and “vocal athleticism” (Naples Daily News). Jennifer joins the Chrisman Studio Artist Program for Opera Santa Barbara 2018/19 season, covering Tatiana in Eugene Onegin and both Mimì and Musetta in La bohème, and singing Mary Warren in The Crucible. Prior to joining Opera Santa Barbara, she will make her role debut as Mimi in La bohème with Opera Connecticut. Jennifer recently made her role debut as Leonora in Il Trovatore with Pacific Lyric Association alongside Metropolitan Opera tenor Luis Lima. Jennifer is an alumna of the apprentice programs at Opera Southwest, Opera Naples, and the Caramoor Music Festival. Other career highlights include Violetta in La Traviata with Pacific Lyric Association and Lucha in the world premiere of HOPSCOTCH (The Industry). She has also appeared with the LA Philharmonic in conjunction with Beth Morrison Projects singing excerpts from John Adams’ I Was Looking At The Ceiling And Then I Saw The Sky, conducted by the composer. Jennifer is also an accomplished orchestral violinist. Last season, she unexpectedly became a viral sensation on social media when she stepped out of the 2nd violin section at the last minute to replace the ailing lead soprano during a dress rehearsal of Aida with the Marina Del Rey Symphony. Jennifer holds degrees from Harvey Mudd College (BS/Mathematics), Columbia University (MS/Operations Research), and Johns Hopkins University (MS/Computer Science) and worked as a software developer for the U.S. Department of Defense before pursuing a career in music. She currently resides in Los Angeles.

2018-19 Chrisman Studio Artist
Vivian:

Ashley Kay Armstrong

Mezzo-soprano Ashley Kay Armstrong makes her Opera Santa Barbara debut as Olga in Eugene Onegin as a member of the Chrisman Studio Artist program. This past season she was a Cedar Rapids Opera Theatre Young Artist, and sang Meg Brockie in Brigadoon and Lady in Waiting in Turandot. She was also an Apprentice Artist with Sarasota Opera and sang Kylie K in the world premiere of Cosmic Ray and the Amazing Chris with Thompson Street Opera. Other highlights in her young career include the title role in Lucrezia and Isabelle Eberhardt (cover) in Song from the Uproar with Chicago Fringe Opera. She also appeared as the alto soloist in Beethoven's 9th Symphony with the Chicago Sinfonietta. She attended the Chicago College of Performing Arts, where her roles included Ottavia in Monteverdi’s L'incoronazione di Poppea, Suzette in Bluebeard's Waiting Room, The Wife in The Women, and Spectre/Alto Soloist in The Nightingale.

www.ashleyarmstrongmezzo.com

2018-19 Chrisman Studio Artist
The Sheriff:

Yazid Gray

Baritone Yazid Gray is originally from Gaithersburg, Maryland. He is a recent graduate of University of Michigan where he received his Master’s in Vocal Performance under the tutelage of Stephen Lusmann. While at Michigan, Yazid performed several roles within their main stage opera seasons. These include Mercutio (Roméo et Juliette), Demetrius (A Midsummer Night’s Dream), and Oliver Jordan in the Michigan premiere of William Bolcom’s newest opera, Dinner at Eight. In the summer of 2018, Yazid joins the Studio Artist Program at Opera Maine where he will sing the role of Charlie in Jake Heggie’s Three Decembers. Other operatic roles include Silvio (Pagliacci) and Sid (Albert Herring) with Opera in the Ozarks, Undertaker and Frazier (Porgy and Bess) with the University Musical Society in Ann Arbor, MI. He is an alumnus of DePauw University where he studied with Caroline Smith. During his time at DePauw, Yazid sang roles such as Frank (Die Fledermaus), Nardo (La Finta Giardiniera), Ottone (L’incoronazione di Poppea), John Brooke (Little Women), as well as a wide range of operatic and musical theater scenes. He has worked with well-known composers, which include Mark Adamo, John Corigliano, Roberto Sierra, Adam Guettel, and Gabriela Frank. Outside of opera, Yazid has performed roles in several musicals such as Jim Conley (Parade) and Hunter Bell ([title of show]), both with DePauw University, Al (The Most Happy Fella) and Ivor (Babes in Arms) with the College Light Opera Company in Cape Cod, Massachusetts.

2018-19 Chrisman Studio Artist
Captain Samuel / Pierre / Doc Miracle :

Michael Kollmorgen

Michael Kollmorgen, tenor, is a native of Tulsa, Oklahoma. He joins Opera Santa Barbara's Chrisman Studio Artist Program for the 2018-19 Season. Michael has been performing since he was seven years old as a member of the The Tulsa Boy Singers. He attended Oklahoma State University, where his roles included Nemorino in L'elisir d'amore, Basilio and Don Curzio in Le Nozze di Figaro, Kaspar in Amahl and the Night Visitors, and Matt/Larry in Face on the Barroom Floor. Michael was also cast as the Duke in Rigoletto and Rodolfo in La Bohème in OSU Opera's production of Love, Lust, & Death: Four Tragic Acts of Love. Michael has also performed in the  Chorus. and he was recently featured as a tenor soloist in Handel's Messiah. Michael attended the University of Houston for his graduate studies, where he performed Ferrando in Così fan tutte, Levin in Anna Karenina, Judge Danforth in The Crucible, Tancredi in The Inspector, and Roméo in Roméo et Juliette. Michael graduated with his Master of Music degree in Vocal Performance this past May. Michael has won first place in both the Junior and Senior Men's Division at the Oklahoma National Teachers of Singing competition and was a recipient of the Vocal Music Scholarship at OSU and the Winifred and Maurice Hirsch Memorial Scholarship at UH. Michael currently resides in Houston, Texas, where he teaches Voice and Music Appreciation as an Adjunct Teacher at Lonestar Community College Tomball. He is a student of Joseph Evans.

2018-19 Chrisman Studio Artist
L'Elisir d'Amore, March 2016, Photo by David Bazemore